Martin Johnson Heade Essay Example for Free

Martin Johnson Heade Essay Martin Johnson Heade (originally Heed), the eldest son in a large family of Joseph Howell Heed was born on 11th August, 1819 in Lumberville, a small rural location near Doylestown in Bucks country of Pennsylvania (Hollis Taggart Galleries, Para. 1). His father owned a farm and a lumber mill. His life is said to have been influenced by the two cousins, Thomas Hicks and Edward Hicks who probably taught him his first art lessons locally. His passion for art grew considerably in the 1840s, and it is around this time that he took a study tour to England and stayed in Rome Italy for two years. By the year 1843, he was residing in New York and later moved to Brooklyn, where he changed his name to Heade, and later on moved to Philadelphia (Hollis Taggart Galleries, Para. 2). In 1848, he took his second academic European tour to return later in 1850. The second trip did not leave him settled either, as he continued to travel while settling down briefly in the towns of St. Louis, New Haven and Providence. It was in this decade that he deeply studied and explored the effects of light on the environment, a subject that was equally dear to American Luminists Sanford Gifford, John Kensett C as well as Fitz Lane Hugh. Consequently he fully got into landscape painting (Hollis Taggart Galleries, Para. 2). In 1859, he rented a studio in the famous tenth street studio building in New York and became a full time painter (Lurie and Mappen, Pp. 355. ) It is in relation to this that he is remembered for his flora, fauna and landscape paintings that do not only have a rich effect of color and light but could also portray some poetic sentiments. Its while operating from the same studio that he met Fredric Edwin Church from the Hudson River school who was later to become his close friend and associate. This period is seen as the turning point in his life as it signaled the onset of his unique lifestyle and a lasting interest in landscape and paintings. In 1863, he interpreted the chaste Latin American coastal landscape in a unique manner and later toured Rio de Janeiro in Brazil in the same year (Hollis Taggart Galleries Para 3). The goal of the tour was to illustrate a complete different version of South American Hummingbirds. He was so enthusiastic about the Hummingbirds that he hoped to prepare an outstanding and an elegant album about these creatures in Britain. Though he hoped to have this album published in Britain, it was never to happen. Hummingbirds however continued to be a dear subject to him as evidenced by the paintings that he did in the rest of life. He continued making trips to the Latin America notably in Nicaragua, Colombia, Jamaica and Panama. In the course of those visits, he studied the local flora and fauna, painting both large and small landscapes of hummingbirds and orchids, works that saw him get recognition at the gallery exhibition in New York and Boston. At the age of sixty four in 1883, Heade got married and moved to St Augustine in Florida. This is where he was to spend the rest of his life while he continued to exhibit his paintings in northern towns such as Boston and Springfield Massachusetts. He was almost forgotten in the New York City but was later rediscovered during the revival of the Hudson River painting school and has from then on been accorded the respect and major status that he commanded out of his outstanding work. In Florida, an oil tycoon and hotel magnate Henry Morris Flagger invited Heade to set up another studio, which was to be last studio, in a building behind Ponce De Leon, a hotel that was owed by Flagger in St Augustine. In his two decades stay at St Augustine prior to his death on September 4 1904, he continued to paint while fascinated by the flora and fauna located in Florida. His works were mainly Cherokee roses, orchids and magnolias (Hollis Taggart Galleries, Para. 4). The works could often depicted the same flower over and over again but in different blooming states thus bringing out the hidden beauty of the environment that is not obvious to many. During his stay in St Augustine Florida and prior to his death, Heade made more than one hundred and fifty pieces of work . Most of this work focused on the exuberant nature and landscape, flowers, sceneries and fruits of the American south , topics that were dear to him also. It is against this background that he is remembered, having not only taken a lot if interest in a rare subject but also having pursued it with vigor, passion and up to the old age. He did what he liked most and did it best. The outstanding feature of any artistic work done by Heade is their capture of their botanic and scientific accuracy. They note every line on the leaf, every mark on the facet, fruit or blossom. The figures below are example of the artistic work done by the 19th century artist and depict the mystery surrounding him and his interest in the natural world. Though the work was done more than a century ago, the beauty and elegance has surpassed the passage time. Fig. 1 Source: http://www. martin-johnson-heade. org/ Although little is documented in writing about Martin Johnson Heade as he left no identifiable body of writing, his contribution to the field of art and painting is immense. Such is evidenced by the Martin Johnson Heade, a function organized and premiering at the Museum of Fine Arts (MFA) in Boson from the 29th day of September 1999 through the 17th of January 2000 which shed light on Martin Johnson Heade as one of the most original and all time artists in the history of mankind (Traditional Fine Art Online Inc, Para. 1). MFA owns an outstanding collection of work done by Heade including about 30 paintings, numerous drawings and other materials such as sketches and sketch books that he used. Although he was practically unknown during his own days, Heade is today also recognized in America as a great romantic painter and uniquely as a master landscape painter as far as floral still life is concerned. With a career that spanned over seventy years, a lot went to his name’s credit as noted during the function organized by MFA, having produced a varied body of work more than any other American artist of the 19th century. Martin Johnson Heade is sure to give new insights into the work of one of the most intriguing of American artists, whose paintings have a strange and almost surreal intensity. Heade was one of Americas most productive and inventive artists, and his work reflects a wide range of talent and creativity. The exemplary work captures such a variety of moods, from his atmospheric effects, the glory of light, the sumptuous warmth of his orchids and tropical scenes, and the inexplicable sensuality of so many of his works in every genre. I hope recognition of his genius grows as more and more people are introduced to these superb paintings (Traditional Fine Art Online Inc, Para. 6). During the popular Mesueum of Fine Arts event, Heade’s favourite hummingbirds painting was revisited. It was recounted that even if he never managed to secure the two hundred subscriptions needed to print his expensive book, which was never printed anyway, he produced four hummingbird chromolithographs for the book and could at the time be viewed in Boston as well as the sixteen paintings that were intended for the gems of Brazil from the Manoogian collection (Traditional Fine Art Online Inc, Para. 7). Earlier on in 1955, a historian and the then director of Macbeth gallery Robert Mclntyre had donated some work done by Heade to the Archives of American Art. Such included his sketch book, notebooks as well as letters and correspondeces between him and his close friend and associate Fredric Edwin Church between the year 1866 and 1899. In addition, they included a detailed notebook about hummingbirds that is handwritten as well as a circa dated in the range between 1853 to 1877. The scattred papers measure 0. 3 linear feet and date between 1853 and 1904. In the year 2007, the above were completely digitized to enhance archiving and are now avilable online as the Martin Johnson Heade Papers Online. They had first received a preliminary level of processing immediately after donation before being microfilmed in the same order that they were donated. The notebook and the sketchbook being the first ones to have been donated were therefore proffesionally conserved in the year 2004. Another area that is seen to have captured Heade’s passion is still lifes of southern flowers especially the magnolia blossoms laid on velevet. This was an advancement of an interest that he had since the 1860’s. In his earlier work in this genre, he had done flowers keenly arranged in an ormate flower vase and placed either on small or a large table, but covered with a mere cloth as opposed to velvet. At the time, he was the first and the only american artist who could create such an extensive body of work either in still lifes or in landscape and environment. In 2004, Heade was again recognized and honored with an outstanding stamp from the United States Postal Servive featuring a piece of his 1890 oil-on-canvas painting otherwise called Giant magnolias on a blue Velvet cloth. There were few artists who emulated head in the 20th century owing to the fact that he was unpopular at the time. However his work and art has been duplicated and forged by many especially in the 20th and 21st century. Such is attributed to the way his work has continued to turn up in garage sales as well as other unlikely places as opposed to works by other artists such as his friend Fredric Edward Church or ohn Kensett.. The popularity of his work can be attributed to the way he related with middle class buyers, his outstanding passion and effort put in as depicted in his various trips and his willigness to distribute his work all the country. Though unknown to him even at the end of his life, Martin johnson Heade was one of the most outstanding artist that ever existed on the face of earth. His passion in what was then an unpopular venture tells it all. His keen interpretation and approach towards the light and the environmet at large, his representation of the same on his paintings as well as his vigor and dedication to distribute his work, all leave no doubt that he did what he loved and in return loved what he did. His work does not only reveal what is unobvious to many but also unearths what is sincerely unknown and his spirit therefore continues to live moreso through his elegant work. Martin Johnson Heade is no doubt a legend whose life deserves recognition by and over generations while his work continues to demand respect over centuries. Works Cited: Hollis Taggart Galleries. Hollis Taggart Gallaries. 2007. 26 May 2010 http://www. hollistaggart. com/artists/biography/martin_johnson_heade/. Mappen, Marc and Maxine N Lurie. Encyclopedia of New Jersey. New Jersey: Rutgers University Press, 2004. Traditional Fine Art Online Inc. Meseum of Fine Arts Boston. 29 September 1999. www. mfa. org. 26 May 2010 http://www. tfaoi. com/newsm1/n1m630. htm.

IDA B. WELLS-BARNETT Essay -- Essays Papers

IDA B. WELLS-BARNETT Ida B. Wells-Barnett is first among many. She was a civil servant and fought injustices amongst the black community. Ida was born a slave in Holly Springs, Mississippi in 1862. There she witnessed the Civil War and the dramatic changes it brought to her life. During Reconstruction she found possession of previously unheard-of freedoms, her civil rights. The most dramatic change was the institution of schools for the education of blacks. The establishment of the Freedman’s Aid Society founded by Shaw University, later renamed Rust College, and was where Ida attended classes. Ida possessed an interest in school, and she quickly worked her way through every book in the Rust College library. At an early age she demonstrated leadership and a strong liking to journalism. Growing up in Memphis opened opportunities for Ida to further her education at LeMoyne Institution and Fisk University. Her impact among the Negro community was first felt in May 1884. On her way to work, I da boarded her usual seat on the first-class ladies coach, she was asked by the conductor to move to the forward car, which was a smoker. Wells refused, got off the train, returned to Memphis, and filed suit against the Chesapeake, Ohio, and SouthWestern Railroad Company for refusing to provide her the first-class accommodations for which she paid. In December, 1884 the Memphis Circuit Court ruled in her favor and awarded her $500 in damages. The reaction within the white community was expressed in the Memphis Appeal, â€Å"Darky Damsel Gets Damages† (Klots, 32) Although her success was short lived when the company appealed the case to the Tennessee Supreme Court, which reversed the decision. Wells-Barnett’s willingness to use the courts to challenge Jim Crow laws was well ahead of her time. Using her forceful pen to write of her experience and outcome soon led her to writing regularly for the black press throughout the country. Ida gained a reputation for fearlessness because of her militant opinions she openly expressed in print. Through her writings she was able to influence the black community, nonetheless educate them and sympathizers of injustices against them. The impact of Ida B. Wells-Barnett was felt within the Negro community through her anti-lynching crusade, journalistic writings, and prominent organizations. With the sharpness of her pen... ...tion. Wells-Barnett was a woman with a strong sense of justice. She was the pioneer of the anti-lynching crusade raising her voice in protest, and writing with a fiery pen. She was direct and possessed strength during a time when this was unheard of by a woman especially a black woman. A reformer of her time, she believed Negroes had to organize themselves and fight for their independence against white oppression. She roused the white South to bitter defense and began the awakening of the conscience of a nation. Through her campaign, writings, and agitation she raised crucial questions about the future of black Americans. Today we as black Americans do not rally against oppression like those that came before us. Gone are the days when we organized together, today we live in a society that does not want to get involved as a whole. What we fail to realize is that there is strength in numbers and that we must not lose sight of the struggles that went on before us that granted our civil rights. Sure, gone are the days of Jim Crow and even though there is not a movement that will define this generation it is important to realize that the fight for equality is never over.

The Blue Sword CHAPTER SEVENTEEN

When they reached the City a fortnight later, the City gates were open again, for what the people's kelar had told them was confirmed by messengers that Corlath sent; and on the laprun field there were thousands of the Hillfolk waiting to cheer their king and his bride, for the messengers had taken it upon themselves to tell more than Corlath had charged them with. All those who had come to the City for safety had stayed, and most of those who had elected to stay in their own land in spite of the Northerners now exultantly left those lands to hasten to the City and see their king's marriage; for somehow the news flew over the mountains and across the desert in all directions, and all of Damar knew of Harimad-sol, and that she would be queen; even into the fastnesses of the filanon, and a hundred of Kentarre's folk traveled to the City in the company of the people of Nandam's village – including Rilly, who was beside herself with excitement, and her mother, who was beside herse lf with Rilly – to attend the wedding. The City was decked with flowers, and long trailing cloaks of flowers had been woven which were thrown around Corlath's shoulders and Harry's, and over Tsornin's withers and Mabel's, and the ceremony was performed in the glassy white courtyard before Corlath's palace. People were hanging from windows and balconies, and clinging to the stark mountainside where there was not purchase for a bird's claws, and lining the walls, and crowded into the courtyard itself till there was barely space for the king and queen to walk from the palace door to the courtyard gate, where they waved and smiled and threw kaftpa, the traditional small cakes that were good luck for anyone who could catch one and eat it. And they threw armfuls and armfuls of them, that anyone who wanted one might have one, and everyone wanted one. Then they retreated again. Their wedding night they spent in the little room with the waterfall, in the blue mosaic palace. Before the y slept Corlath began the long task of telling Harry all the tales of Aerin, as he had once promised he would. The telling stretched over many of their evenings together, for Harry never wavered in her desire to hear them all – and when she had heard them all, her patient husband was required to teach them to her; and when she had learned all he had to teach, she made up a few of her own, and taught them to him. Gonturan was hung on the wall of the Great Hall, where Harry, like all Riders before her, had cut her hand on the king's sword and been made another of the company. The king's sword hung opposite, for only the king's and queen's own swords could hang on display in the Great Hall. Gonturan had spent many years wrapped in cloths in an old wooden chest, black with age, since the last time she hung in the Great Hall. And after the wedding feasts everyone went home, because there would be no traveling in the winter rains. The filanon stayed in the City till the rains were gone, partly to pay the respect due to the City and the king they had turned away from many years before; and partly for reasons that became obvious – although everyone already knew what was happening – when in the spring Richard Crewe married Kentarre, and returned with her and the filanon to the western end of Damar, although he carefully avoided the Outlander station. Thus the filanon became once again well known to the king and his City, for the Damarian queen often visited her brother, and he her. Richard was never entirely happy riding as the Hillfolk rode, but he had a talent for woodcraft and archery that might almost have been a Gift. He taught his sister to hold a bow properly and to put an arrow more or less where she wanted it to go, but Harry failed to rise above the merely competent. â€Å"Do you talk to your arrows, and tell them to find the stag that has to be in that brush up ahead somewhere and stick him?† â€Å"Did you tell Gonturan to knock down the mountains on Thurra's ugly head?† This conversation took place almost a year after Gonturan had been hung on the wall of the palace, and Harry could laugh. Kentarre's first child was a daughter with blond hair and grey eyes, and she was born before the rains came again. Harry's first child was born a fortnight later – â€Å"Ah, bah,† Harry said, with her hand on her belly, when the messenger came from the west with the word, and the winter's first rains fell over them, and dulled the stone of the City; â€Å"I did want to be first.† The child was a son, with black hair and brown eyes. Jack grew as skilled on horseback as any Hillman, for all that he had come to it so late; and Mathin took him to his home village, where he learned how the Hills trained their young horses. He was good at this too, and Mathin's family liked him, but always he found himself returning to the stone City, where Corlath seemed more content to stay since Harry now stayed with him. And the year that young Tor Mathin was two years old, Jack was called to a banquet in the Great Hall, where he had attended many banquets before, and to his own amazement he was made a queen's Rider, to sit with the fifteen king's Riders, for Corlath had made no more since the war with the North. Gonturan, which Jack had held once before on a mountaintop, lightly and kindly drank three drops of his blood, while he stared at the cut and for once had nothing to say. â€Å"We Outlanders must stick together,† said Harry, smiling. Jack looked up at once and shook his head. â€Å"No – we who love the Hills must stick together.† The year after Jack was made a Rider, Harry bore another child, and this one was a daughter, and she had red hair and blue eyes, and a wry whimsical smile even in her cradle. â€Å"You're calling her Aerin, of course,† said Jack, tickling her with the end of his sash while she giggled and clutched at it. â€Å"I'm calling her Aerin Amelia, and Forloy and Innath and Mathin and I are riding west as soon as she's six months old, to invite Sir Charles and Lady Amelia to the Naming, here in the City. Will you come with us?† Harry was holding her baby, and as Jack, startled, stopped looking at her and instead looked up at her mother, Aerin grabbed the sash and stuffed as much of it as would fit into her mouth. â€Å"Yes, of course I'll come. Don't I have to, anyway? As the only queen's Rider, I have a reputation to maintain.† Harry's anxious look relaxed into a smile. And so six months later five Riders set their faces west from the City; and as they were about to leave the City gates, Harry, who was lagging behind as if unhappy about something, heard hoof-beats behind her and turned around to see Fireheart bearing down on her. There were traveling-bundles hanging from his saddle, and Harry's face lit up and she said: â€Å"Oh, you are coming with us after all.† And Corlath sighed, and reached over Sungold's withers to take her hand and said, â€Å"Yes, I'm coming. I don't want to, you understand. Perhaps you should just think that I cannot bear to be parted from you for so many days; which is true enough.† â€Å"I don't care,† said Harry. Corlath looked at her and smiled in spite of himself. â€Å"Perhaps you are right, my heart. I am inclined to forget that there is still some Outlander blood in your veins; and perhaps this mad scheme of yours will work.† The six of them stopped and set up camp where a much bigger traveling camp had stopped several years before, to wait upon another visit to the Outlander town. Forloy and Innath rode in alone, early in the morning, with a written message for the District Commissioner and his wife; none of them knew what to expect, but least of all did the four who remained behind expect to see a cloud of dust hurrying back toward them a bare few hours later. â€Å"Hill horses never kick up so much dust,† Jack said thoughtfully. Harry stood up and took a few steps in the dustcloud's direction; she could see two figures on horseback within it, and behind them the grey and brown that were Innath's and Forloy's horses. Lady Amelia reached Harry first; Harry's hood was back, her hair shining in the sunlight, but in her Hill dress and with her skin burned to the color of malak, she was astonished when little Lady Amelia climbed or fell off her horse just in front of her, said, â€Å"Harry, my dear, why did you never send us any word?† burst into tears, and threw her arms around her former houseguest and foster child. â€Å"I – † she said. â€Å"Never mind,† said Lady Amelia; â€Å"I'm so glad to see you again. I'm glad you didn't quite forget us. You don't have to name the baby after me, you know – † her voice was muffled, because it was buried in Harry's shoulder – â€Å"but if you meant the invitation, I shall certainly come. And Charles too.† Harry looked up, and Sir Charles was ponderously dismounting. Lady Amelia let her go, and Sir Charles said nothing as he embraced her in his turn; and his silence she thought was a bad omen till she looked into his face and saw the tears in his eyes. He snuffled through his mustache once or twice, and then his eyes opened wider as they looked over Harry's shoulder, and she heard Jack's voice saying: â€Å"Good to see you again, old friend.† The meeting between Sir Charles and Corlath was a trifle constrained. Sir Charles, forgetting himself in an attempt to get off on the right foot this time around, put out his hand; and Corlath looked at it, and looked at Sir Charles, and Harry gritted her teeth; and then Corlath seemed to remember a description, from her perhaps, or from Jack, of this curious Outlander ritual; and he put out his hand, tentatively, and Sir Charles shook it heartily. After that things went more or less smoothly; and Sir Charles spoke the Hill tongue, not nearly so badly as Corlath had privately been expecting – he's been practicing, the Hill-king thought in surprise, and felt almost warm toward him – and Corlath spoke Homelander, and Sir Charles tactfully refrained from remarking on how fluently he knew it. Sir Charles wanted to insist that they all return to the Residency while he and Lady Amelia packed up for their journey, and Jack could see how he was trying to restrain himself, so he spoke to Harry and Harry spoke to Corlath. And Corlath eyed his wife and thought dark thoughts; but eight riders rode back toward Istan together. And so diplomatic relations between Outlander and Damarian began, for the first time since the Outlanders had come over the sea and seized as much as they could. Jack discovered that Sir Charles had taken his letter, written while Harry and Senay and Terim and Narknon lay asleep in his bedroom, very seriously indeed; and had, in fact, put his own career in jeopardy by insisting that the colonel of the General Mundy had not gone desert-mad at last, but had answered a real threat to Outlander security in the only way he could. It was because of Sir Charles' efforts that Jack himself and the men who had gone with him were honorably listed in the military rolls as missing in action at the Border and presumed deceased. Sir Charles had further had one of the unhuman corpses found near the fort – for two more were discovered after Jack disappeared – bundled up and sent off to be analyzed by Homelander physicians in the south of Daria, where the biggest Homelander cities were, and the best medical facilities. The physicians had nervously announced they didn't know what the thing was they were looking at, but, whatever it was, they didn't like it. Sir Charles also dug out all the reports of irregular and belligerent activity on the Northern border, gathered more, and sent them off to where they might do the most good; and such was his reputation as stolid, conservative, and unflappable – and such was his skill at treading a very narrow line – that he was listened to, if reluctantly. So when he returned from the Naming, leaving Lady Amelia behind for an extended visit with her name-child in the stone City, and began writing dispatches about the time being ripe for the opening of formal diplomacy between the Homeland and Damar – for so he called it – he was permitted to pursue the role he had chosen. It is true that only he and Lady Amelia were ever invited to the City in the Hills; but specially chosen Damarians did begin regularly to visit Istan, and eventually the cities in the south; and to exchange gifts, and speeches of good will, and to receive official administrative notice, even from the Queen and her Council, over the sea in the Homeland. And Harry and Corlath attended to their administrative duties as earnestly as they had to, but no more; and much of their time they spent wandering alone together through the City, or across the plains before the City; or they rode to Mathin's village, or Innath's; and as often as they could they slipped away north through the Hills to Luthe's valley. They took the children with them – Aerin was followed by Jack, and Jack by Hari, as the years passed – for Luthe was fond of children.

The Problem Of Bipolar Disorder - 1462 Words

Katy Perry’s song â€Å"Hot N Cold† comes to mind when I think of bipolar disorder, â€Å"You re yes then you re no, You re in then you re out, You re up then you re down.† This is the kind of general explanation that is given to give people an idea of what bipolar is. Not in the sense that it is rapid but it can be a battle between two ends. The National Institute of Mental Health defines bipolar disorder which is â€Å"also known as manic-depressive illness, is a brain disorder that causes unusual shifts in mood, energy, activity levels, and the ability to carry out day-to-day tasks† (NIMH n.d.) There are a few different types of Bipolar Disorder commonly referred to as type 1 and type 2, although this is distinction is made more for diagnostic purposes not biological. I consider myself very familiar with bipolar disorder since there is a good chance I may develop it later in life and my mother has it and is currently unmediated. Currently, there are man y different treatments for bipolar disorder that is dependent on the severity of the symptoms. Bipolar disorder has a great effect on the affected person’s psychology since it can not only affect the persons thought process but can completely change a person’s personality. Type 1 is normally characterized as â€Å"up swings† or, less sleep, increased activity and activeness or increase risk taking activity. Thing change in a person’s psychology can be mainly productive depending on the severity of these episodes. Some of these symptomsShow MoreRelatedThe Problem With Bipolar Disorder1555 Words   |  7 PagesThere has been a spike in adolescents being diagnosed with bipolar disorder over the last decade, which has caused the controversy on whether there is a bipolar disorder â€Å"epidemic† or not. 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